anthropological practice of yourself. The autobiography of Vladimir Nabokov’s
“Other Shores” has been investigated from this perspective in connection with
his other works. The philosophical side of Nabokov’s memoirs is considered
here. This made it possible to formulate the main problems of the writer’s autobiographical work: the ratio of memory and imagination when plotting, the
difference between fact and event in the structure of memory, the degree of individual freedom from coercion of objective historical circumstances, the possibility of discerning the meaning of one’s own biography long before the end
of physical life. As a result of the study, Nabokov’s autobiography is characterized as a struggle against time for personal immortality. In this struggle, the
writer is not so much expressing as creating yourself. He takes an active position in the act of remembrance, directing memory into the mainstream of the
search for the meaning of his past, starting from early childhood. A person who
remembers himself gets the opportunity to break out of the linear course of time,
to distinguish repetitions in the past and read them as signs of his biography.
Finally, reconfiguring biographic optics allows the author to come to a point
of view from which he, through ordinary objects, begins to see not only the past
and the future in their mutual transition, but also eternity. Thus, the writer
avoids the main threat hanging over the mortal creature – the prospect of its
annihilation.
This article is devoted to the analysis of autobiography as a form of
anthropological practice of yourself. The autobiography of Vladimir Nabokov’s
“Other Shores” has been investigated from this perspective in connection with
his other works. The philosophical side of Nabokov’s memoirs is considered
here. This made it possible to formulate the main problems of the writer’s autobiographical work: the ratio of memory and imagination when plotting, the
difference between fact and event in the structure of memory, the degree of individual freedom from coercion of objective historical circumstances, the possibility of discerning the meaning of one’s own biography long before the end
of physical life. As a result of the study, Nabokov’s autobiography is characterized as a struggle against time for personal immortality. In this struggle, the
writer is not so much expressing as creating yourself. He takes an active position in the act of remembrance, directing memory into the mainstream of the
search for the meaning of his past, starting from early childhood. A person who
remembers himself gets the opportunity to break out of the linear course of time,
to distinguish repetitions in the past and read them as signs of his biography.
Finally, reconfiguring biographic optics allows the author to come to a point
of view from which he, through ordinary objects, begins to see not only the past
and the future in their mutual transition, but also eternity. Thus, the writer
avoids the main threat hanging over the mortal creature – the prospect of its
annihilation.
Список литературы
Aleksandrov V. E. Nabokov i potustoronnost': metafizika, etika, estetika
[Nabokov’s Otherworld]. Transl. by N. A. Anastasiev. St. Petersburg, Aleteyya,
1999, 314 p. (in Russ.)
Avanesov S. S. Empedokl: bozhestvennost' i samoubiystvo [Empedocles:
divinity and suicide]. ΣΧΟΛΗ (Schole): Ancient Philosophy and Classical Tradition, 2007, vol. 1, iss. 2, p. 147–171. (in Russ).
Avanesov S. S. Put' kak avto-bio-grafiya [A Path as an Auto-Bio-Graphy].
Chelovek.RU. Almanac of the Humanities, 2018, no. 13, p. 44–65. (in Russ).
Averin B. V. Vospominanie u Nabokova i Florenskogo [Memories in works
of Nabokov and Florensky]. In: V. V. Nabokov. Pro et contra. Antologiya [V. V. Nabokov. Pro et contra. Anthology]. St. Petersburg, RKhGI Publ., 2001,
vol. 2, p. 485–498. (In Russ).
Averin B. V. Volya i zakon Mnemoziny [The will and the law of Mnemosyne]. In: Nabokov V. V. Drugie berega: Avtobiografiya [Nabokov V. V. Other
Shores: Autobiography]. St. Petersburg, Azbuka-Klassika, 2017, p. 245–265.
(in Russ).
Barabtarlo G. Sochinenie Nabokova [Nabokov’s writing]. St. Petersburg,
Ivan Limbakh Publ., 2011, 462 p. (in Russ).
Barthes R. Camera lucida: Kommentariy k fotografii [Camera lucida: note
on the photograph]. Transl. by M. Ryklin. Moscow, Ad Marginem, 2011, 270 p.
(in Russ.)
Boyd B. Vladimir Nabokov: Amerikanskie gody [Vladimir Nabokov. The
American Years]. Transl. by S. Il'in et al. St. Petersburg, Simpozium, 2010,
950 p. (in Russ.)
Chuk L. Vremya v romanakh Nabokova [Time in the novels of Nabokov].
Transl. by A. Maslova. Voprosy Literatury, 2015, no. 1, p. 284–302. (in Russ.)
Erofeev V. V. V labirinte proklyatykh voprosov [In the Maze of Damned
Questions]. Moscow, Sovetskiy pisatel', 1990. (in Russ).
Kuritsyn V. Nabokov bez Lolity. Putevoditel' s kartami, kartinkami i zadaniyami [Nabokov without Lolita. A guidebook with maps, pictures and quests].
Moscow, Novoe Izdatel'stvo, 2013, 452 p. (in Russ).
Nabokov V. V. Stikhotvoreniya i poemy [Poetry and poems]. Moscow, Sovremennik, 1991, 576 p. (in Russ).
Nabokov V. V. Predislovie k angliyskomu perevodu romana «Mashen'ka»
[Preface to the English translation of the novel “Mary”]. Transl. by G. Barabtarlo, V. Nabokova. In: V. V. Nabokov. Pro et contra. Antologiya [V. V. Nabokov. Pro et contra. Anthology]. St. Petersburg, RkhGI Publ., 1997, vol. 1, p. 67–
69. (in Russ.)
Nabokov V. V. Predislovie k avtobiografii «Speak, Memory: An Autobiography Revisited» [Preface to the autobiography “Speak, Memory: An Autobiography Revisited”]. Transl. by M. Malikova. In: V. V. Nabokov. Pro
et contra. Antologiya [V. V. Nabokov. Pro et contra. Anthology]. St. Petersburg,
RkhGI Publ., 1997, vol. 1, p. 96–102. (in Russ.)
Nabokov V. V. Istinnaya zhizn' Sevast'yana Nayta [The Real Life of Sebastian Knight]. Transl. by G. Barabtarlo. St. Petersburg, Azbuka-Klassika, 2008,
352 p. (in Russ.)
Nabokov V. V. Soglyadatay [The Eye]. St. Petersburg, Azbuka-Klassika,
2009, 112 p. (in Russ).
Nabokov V. V. Lektsii po zarubezhnoy literature [Lectures on Literature].
Transl. by S. Antonov et al. St. Petersburg, Azbuka-Klassika, 2010, 510 p.
(in Russ.)
Nabokov V. V. Lektsii po russkoy literature [Lectures on Russian Literature]. Transl. by S. Antonov et al. St. Petersburg, Azbuka-Klassika, 2010, 448 p.
(in Russ.)
Nabokov V. V. Smotri na arlekinov! [Look at the Harlequins!]. Transl. by
S. Ilyin. St. Petersburg, Azbuka-Klassika, 2010, 318 p. (in Russ.)
Nabokov V. V. Priglashenie na kazn' [Invitation to a Beheading]. St. Petersburg, Azbuka-Klassika, 2010, 224 p. (in Russ.)
Nabokov V. V. Polnoe sobranie rasskazov [Complete collection of short stories]. St. Petersburg, Azbuka-Attikus, 2013, 736 p. (in Russ).
Nabokov V. V. Prosvechivayushchie predmety [Transparent Things]. Transl.
by A. Dolinin, M. Meylakh. St. Petersburg, Azbuka-Attikus, 2014, 384 p.
(in Russ.)
Nabokov V. V. Ada, ili Radosti strasti [Ada or Ardor: A Family Chronicle].
Transl. by S. Ilyin. St. Petersburg, Azbuka-Attikus, 2015, 704 p. (in Russ.)
Nabokov V. V. Drugie berega: Avtobiografiya [Other Shores: Autobiography]. St. Petersburg Azbuka-Klassika, 2017, 382 p. (in Russ).
Pitzer A. Taynaya istoriya Vladimira Nabokova [The Secret History of Vladimir Nabokov]. Transl. by E. Gorbatenko. Moscow, Sindbad, 2016.
Rosengrant J. Vladimir Nabokov i etika izobrazheniya. Dvuyazychnaya
praktika [Vladimir Nabokov and image ethics. Bilingual practice]. Transl. by
T. Strelkova. In: V. V. Nabokov. Pro et contra. Antologiya [V. V. Nabokov. Pro
et contra. Anthology]. St. Petersburg, RkhGI Publ., 2001, vol. 2, p. 929–955.
(in Russ.)
Smirnov S. A. Antropologiya avtobiografii: avtor i topika [Anthropology
of Biography: The Author and Topic]. Chelovek.RU. Almanac of the Humanities, 2019, no. 14, p. 24–55. (in Russ).
Speshilova E. I. Bessmertie avtora [The Immortality of the Author]. Chelovek.RU. Almanac of the Humanities, 2016, no 11, p. 118–125. (in Russ).
Zverev A. M. Nabokov. [Nabokov]. 2 nd ed. Moscow, Molodaya gvardiya,
2004, p. 454. (in Russ).
Child in Time. Autobiographic Battles of Vladimir Nabokov С. 337–363. DOI 10.25205/2307-1737-2020-2-337-363