Выпуск 2 за 2017 г.
Asemantic Aspect of a Text: Boris Pasternak’s “Poetry” 
Yu. N. Chumakov’s Verse Theory
Yu. N. Chumakov and Russian versicle novel
The Russian Acropolis – About logocentrism between symbolism and
avant-garde
Artistic semantics of the image of Mary and the story polyphony of
«Feast during the plague» by A. Pushkin
«Well, wait a bit!» Approaching to one guess of Yury Chumakov
Dostoyevsky’s pawn: three thousand at the novel «Crime and Punishment»
«Funny» characters by Dostoyevsky in A. Platonov’s artistic reception
The creative refraction of Pushkin\s motif of poetic immortality in the
dialogic «reflection poetics» of I. Annensky
About magistral and marginal ways of Russian poetry: Nikolay
Gumilev and Pavel Bulygin’s «alien stars»
Semyon Kirsanov’s poem «Mary-rider» (1925): the Name of Hero, the
Plot and Zaum’ (Nonsense)
The Reception of Pushkin’s Literary Tradition in Yuri Olesha’s Works
“Chopin, sea of tears…”: around a poem by Marcel Proust
Venexia, Constantinoupolis, Konstantiniyye: enchevêtrements, ajustements,
hybridations
Substantiation of the cultural-semiotic approach to history in Ernst
Kassirer’s philosophy
«Courage of truth» and «care of the self» Foucault (objection Lorenzo
Bernini)
«Poetics of philosophy», or Henri Meschonnic’s Anti-Heidegger
Umberto Eco: the Poetics of Joyce and the Transformation of the Type
of Culture
Images of Language in Manifestos of the Italian, Russian and American
Avant-garde
Towards the Understanding of the Concepts of «Modernity»,
«Modernism» and «Avant-garde» in (Post) Soviet and German Study of Literature
(An Attempt of Terminological Unification)
Discursive interaction as the basis of anarchist symbols (in the example
of the symbol «circle-A»)