Выпуск 2 за 2018 г.
“The Wanderer by Land and Sea” Е. П. Kovalevsky: The Author and
Reader in the Space Traveler 
“Words-signals” of Nihilism and “The Precipice” by I. A. Goncharov
Reading of Writings by A. S. Pushkin and I. S. Turgenev in the Plot
Hero at a rendez-vous (Variant of the Middle of the 19th Century)
Writer as Object of Reader’s Perception: Public Literary Readings of
1860s
Boris Tomashevskiy and Yury Tynyanov at Work on Their Article
“Fake Pushkin”
The Versification of the Poetry of «Sibirskie Ogni» (1922–1929): Between
Tradition and Vanguard
“The Open Sea” by Sergei Kolbasiev: Its Literary Context and Poetics
The Categories of Author – Text – Reader in the Novel “Librarian”
by Michael Elizarov
The evolution of the Plot-Motive Complex in the Artistic Narrative of
the Reader
Ode of the Acritical Freedom – Digenis Akritas: Armenian Roots of
the Byzantine Epic Tradition
The Variability of the Prayer’s Address to the Lord in the Anglo-
Saxon World Picture
New European Moral Genealogy of Macintyre’s Conception
Emile Benveniste as Theorist of Poetic Discourse
Transferences of Information in Space and Time: Cultural Transfers
Digital Fuzziness or das Ungefähre
The Semiotics of Cultural Practices in the Digital Realm
Bela’s Causus (Historiosophy of Anthropology in “A Hero of Our
Time” by M. Yu. Lermontov)
Conceptual Field of the Impossible in A. P. Chekhov’s Short Stories
“Dreams” and “Happiness”
From Ancient Russia to Solzhenitsyn: The Meditation of Russian Culture
by Prot. Alexander Schmemann
Parable as the Tool of a Cultural Transfer in Literature of the Russian
Avant-Garde: Ry Nikonova’s “Student Jesus”
V. Erl’ and D. Makrinov’s Short Story “How Kolya Nikolaev Was Sitting
in the Porridge. Story Told by the Pioneer Sasha Mironov”: Porridge Semiotics
in Children’s Stories
Linguistic Peculiarities of Black Humour in “stishki-pirozhki”
Concepts of LIE and TRUTH of LIFE as Transfer Semantic Elements
of Dmitry Gorchev’s Poetics
About Ancient Mental Picture and New Textuality
A “Literary Motif Compass” by Olga Freidenberg as a Tool in Narrative
Research
To the Problem of Poetics and Semiosis of Yoko Tawada (By Example
of the Poetic Collection “Tabula rasa”)