Выпуск 1 за 2018 г.
Two notes on the poetics of Marina Tsvetaeva 
On the Russian bezmernost’ of Tsvetaeva and Transmarine bezbrezhnost’
of Balmont
The Leader Image in M. Tsvetaeva’s Autobiographical Myth (On the
Basis of the Poem «On the Red Horse» and the Essay «Devil»)
«Word Unusual – an Old Woman...»: About One Mythologeme in
M. Tsvetaeva’s Lyrics
The Image of the Modernist Reader in Russian Painting and Early Lyrics
by M. Tsvetaeva
«Foreign» (Quotes, Allusions and Reminiscences) as «Ours», and
«Ours» (Self-Quotes and Self-Reminiscences) as «Foreign» in Marina Tsvetaeva’s
Letters and Diary Texts
«Boris Savinkov Is My Brother»: The Poetics of Courtroom Procedure
and Marina Tsveataeva’s Author’s Projections
The Variations of Archaic Plot about Calling the Singer at the End of
Mousikē Tradition («Ballada» by Vl. Khodasevich and Poem «Na Krasnom
Kone» by M. Tsvetaeva)
Marina Tsvetaeva and Anna de Noailles: The Possibilities of Dialogue
«Roses of Tadema» (Alma-Tadema Lawrence in the Artistic Reception
of I. Annensky)
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
Bunin and the Tolstoy’s Paradigm of «Master and Man»: The «Snowstorm
(Con)text» of the Philosophy of Subject
The Three Philosophical and Critical Books by Vyacheslav Ivanov
as the Artistic Unity and the Cultural and Philosophical Manifesto
Harlequin and Pierrot in the Works of Rainer Maria Rilke
Theatralisation of the Narrative in Post-Symbolist Novels