| L. L. Fedorova |
Towards the Functional Typology of Signs |
2019, 2 |
| I. E. Kim |
Russian Punctuation as a Sign System |
2019, 2 |
| I. A. Kanakin |
About Closed Morphological Structures |
2019, 2 |
| I. A. Nevskaya |
Different Subject Constructions with Depictive Secondary Predicates in South
Siberian Turkic |
2019, 2 |
| |
Аналитические глаголы
и глагольные фразеологические сочетания
в алтайском и хакасском языках
(в сравнении с другими языками) |
2019, 2 |
| M. Ya. Dymarsky |
<i>Uspeem khorosho esli k semi</i> (‘Will Success to Arrive Good if by Seven’):
Subordination Decay and Lexicalization of the Contact Frame |
2019, 2 |
| K. M. Korchagin |
<i>We</i> in Russian Poetry: From Avant-Garde to the Newest Political Agenda |
2019, 2 |
| Yu. V. Shatin, I. V. Silantev |
The New Rhetoric of Ch. Perelman and the Method Ways of Rhetoric Argumentation
in H. Poincaré Works |
2019, 2 |
| R. Grübel |
Culture as a Transition / Translation. “Heavenly Animal” by Vera Pavlova |
2019, 1 |
| A. Bierich |
Transfers of Criminal Subculture into Russian Poetry at the End of the
20th – the Beginning of the 21st Century |
2019, 1 |
| H. Stahl |
Cultural Transfer and Subject in Metaepos “Gnedich” by M. Rybakova |
2019, 1 |
| E. Evgrashkina |
Hendrik Jackson’s German Translation of Alexei Parshchikov’s Poem
“Oil” |
2019, 1 |
| A. Tretiakova |
“Psalm” by P. Celan: Analysis and Translations into Russian |
2019, 1 |
| A. Schmitt |
The Function of the Concepts of East and West in the Poetry of Olga
Sedakova and Elena Shvarts |
2019, 1 |
| A. Gavrilyuk |
Language as a Major Agent in the Poetry of Alexander Kabanov |
2019, 1 |
| T. A. Mikhailova |
Croch ~ cros ‘cross’: Latin Borrowings and Christian Traditional Metaphors
in Early Ireland |
2019, 1 |
| A. V. Proskurina |
On the Issue of Performativity of Hymns |
2019, 1 |
| Yu. A. Asoyan |
Ethical Poesis and Care of Oneself. From Esthetics of Coexistence to
Genealogy of Ethics |
2019, 1 |
| T. S. Simyan |
From Biosphere to Noosphere: Theory and Practice |
2019, 1 |
| K. S. Sharov |
The System of Fashion: Historical and Semiotic Analysis and Gender
Social Implications |
2019, 1 |