| N. V. Prodanik |
The Image of the Modernist Reader in Russian Painting and Early Lyrics
by M. Tsvetaeva |
2018, 1 |
| S. A. Akhmadeeva |
«Foreign» (Quotes, Allusions and Reminiscences) as «Ours», and
«Ours» (Self-Quotes and Self-Reminiscences) as «Foreign» in Marina Tsvetaeva’s
Letters and Diary Texts |
2018, 1 |
| S. Yu. Kornienko |
«Boris Savinkov Is My Brother»: The Poetics of Courtroom Procedure
and Marina Tsveataeva’s Author’s Projections |
2018, 1 |
| T. I. Podkorytova |
The Variations of Archaic Plot about Calling the Singer at the End of
Mousikē Tradition («Ballada» by Vl. Khodasevich and Poem «Na Krasnom
Kone» by M. Tsvetaeva) |
2018, 1 |
| N. O. Laskina |
Marina Tsvetaeva and Anna de Noailles: The Possibilities of Dialogue |
2018, 1 |
| A. V. Podvornaya |
«Roses of Tadema» (Alma-Tadema Lawrence in the Artistic Reception
of I. Annensky) |
2018, 1 |
| V. V. Maroshi |
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy |
2018, 1 |
| K. V. Anisimov |
Bunin and the Tolstoy’s Paradigm of «Master and Man»: The «Snowstorm
(Con)text» of the Philosophy of Subject |
2018, 1 |
| L. V. Mashtakova |
The Three Philosophical and Critical Books by Vyacheslav Ivanov
as the Artistic Unity and the Cultural and Philosophical Manifesto |
2018, 1 |
| A. E. Moskaleva |
Harlequin and Pierrot in the Works of Rainer Maria Rilke |
2018, 1 |
| G. A. Zhilicheva |
Theatralisation of the Narrative in Post-Symbolist Novels |
2018, 1 |
| Yu. N. Chumakov |
Asemantic Aspect of a Text: Boris Pasternak’s “Poetry” |
2017, 2 |
| E. I. Khudoshina |
Yu. N. Chumakov’s Verse Theory |
2017, 2 |
| Yu. V. Shatin |
Yu. N. Chumakov and Russian versicle novel |
2017, 2 |
| A. А. Hansen-Löve |
The Russian Acropolis – About logocentrism between symbolism and
avant-garde |
2017, 2 |
| L. A. Khodanen |
Artistic semantics of the image of Mary and the story polyphony of
«Feast during the plague» by A. Pushkin |
2017, 2 |
| E. N. Penskaya |
«Well, wait a bit!» Approaching to one guess of Yury Chumakov |
2017, 2 |
| T. I. Pecherskaya |
Dostoyevsky’s pawn: three thousand at the novel «Crime and Punishment» |
2017, 2 |
| E. N. Proskurina |
«Funny» characters by Dostoyevsky in A. Platonov’s artistic reception |
2017, 2 |
| N. V. Nalegach |
The creative refraction of Pushkin\s motif of poetic immortality in the
dialogic «reflection poetics» of I. Annensky |
2017, 2 |